However, there are many great mix engineers who get incredible-sounding records with mix bus compressors. You'll see many mastering engineers advocating caution when it comes to putting a bus compressor on the mix. One of the most common mistakes we see when it comes to mix bus compression is When Should I Put My Bus Compressor On The Mix? If the needle returns to 0 dB between these drum hits, you'll know you're in the ballpark. One neat trick to help with this is to time your release to your snare or kick drum. The needle on your compressor should return to 0 in time with your song. Instead of catching peaks and adding glue to your whole mix, a bus compressor with an ultra-slow release time and 2dB of gain reduction will just make your track 2dB softer than it was before. Unfortunately, ultra-slow release times can be just as dangerous as ultra-fast ones. We guarantee you'll know it when you get there! Locking in the right attack and release time just feels right. Similar to the way you set your slow attack time, you can set your release time by starting with a slower release and gradually increase the time until you feel like it's In doing so, you can help your stereo compressor If you don't have a stereo compressor with an auto-release button, you should do your best to time your release time to your track's tempo. An auto-release setting takes all the thought out of the equation, as it bases the release on the input signal. To make your life easier, we recommend looking for a compressor that has an auto-release setting. ![]() While EDM producers and gym rats love pumping, it's not something you should strive for with mix bus compression, as it can make your mix sound wholly unnatural. Quickly, making the end of a note or syllable louder than its transient. A fast release time can result in a phenomenon known as "pumping." In the same way, you should use a slower attack time, you should also use a slower release time. Once you've found the right attack time, you can dial it back down to 1-2 dB. To combat this uncertainty, you can reduce your threshold until you're getting around 10-15dB of gain reduction, which will make alterations in your attack time more obvious. ![]() If you're new to mixing, hearing how this setting impacts your sound can be difficult. The best way to dial in attack time is by starting really slow (somewhere above 100ms) and dialing it faster until you begin hearing the transient peaks dull out, then dial it back. Some mixes will call forįor the most part, however, we recommend going with a medium to slow attack. With that said, there are no golden rules when it comes to attack and release settings. When you set your attack time too fast, you suck the life out of your mix. I can't think of a time I used a fast attack time on my mix bus compressor.įast attack times have a nasty habit of removing transient information that can make your mixes punchy. If your compressor allows for it, we would recommend going even smaller around The last thing you want is aggressive compression smashing your beautifully dynamic mix to smithereens. The mix and fix the offending instrument. If you notice some peaks in your mix are still sticking out, go back Well, for starters, your needle shouldn't be bouncing all over the place when you compress your stereo bus. How much gain reduction is too much gain reduction? ![]() Let's look at a few common mistakes that mix engineers make when they apply mix bus compression. In our experience, the best way to teach people about mixing techniques is by starting off with what One tiny mistake can obliterate everything you've worked so hard on for your mix up to this point.įor this reason, we're going to dive in and teach you all you need to know about mix bus compression, so you never have to second-guess yourself again. However, in reality, great mix bus compression isn't a willy-nilly process. ![]() You don't need to buy an expensive hardware compressor to glue your mix bus together either! You can simply throw up the stock compressor in your DAW and start experimenting. Plus, mix bus compression delivers that "glue" that you always hear engineers talking about. Properly tuned mix bus compression can make your mixes sound more cohesive and exciting while controlling any out-of-control dynamics. There is by injecting it with a bit of compression. One of the best ways to elevate a mix that is Some people also refer to this section as the stereo bus or master bus. The mix bus, which is another term people use to describe the output section of their DAW, is where every piece of audio in your sessions flows before it is sent out to your interface and your speakers. The process of adding compression to your entire mix is known as
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